Merge pull request #44 from retokromer/patch-1

fix nits

index.html

@@ -424,7 +424,7 @@ <h3><a href="pinouts.html#scart">S-Video SCART</a></h3>
 <!-- start Analog Y/C-688 protocol cables -->
 <div class="well">
   <h4 id="yc-688">Y/C-688 ("Dub")</h4>
-  <p>An earlier protocol that, like S-Video (which came later but was more common), split video into two components, luminance (Y) and chrominance (C). Intended to improve the quality of direct tape duplication from one video deck to another, this connection was often vaguely labeled/referred to simply as "dub". First seen on 3/4" Umatic decks, but continued to be used on professional Betacam and VHS/S-VHS decks. Though the same cables and pinouts were usually used, different Y/C-688-capable decks and devices modulated the chrominance signal at different frequencies - making Y/C-688 signal incompatible with S-Video devices (or sometimes even from one Y/C-688-capable deck to another)! Also incompatible with an implementation of Y′P<sub>B</sub>P<sub>R</sub> video that used the same connector and was *also* simply labeled "dub" (see above).</p>
+  <p>An earlier protocol that, like S-Video (which came later but was more common), split video into two components, luminance (Y) and chrominance (C). Intended to improve the quality of direct tape duplication from one video deck to another, this connection was often vaguely labeled/referred to simply as "dub". First seen on 3/4" U-matic decks, but continued to be used on professional Betacam and VHS/S-VHS decks. Though the same cables and pinouts were usually used, different Y/C-688-capable decks and devices modulated the chrominance signal at different frequencies - making Y/C-688 signal incompatible with S-Video devices (or sometimes even from one Y/C-688-capable deck to another)! Also incompatible with an implementation of Y′P<sub>B</sub>P<sub>R</sub> video that used the same connector and was *also* simply labeled "dub" (see above).</p>
   <p><b>Introduced:</b>unknown</p>
   <p><b>Max resolution:</b> Unknown</p>
   <p><b>Connectors:</b></p>
@@ -1020,7 +1020,7 @@ <h3><a href="pinouts.html#xlr">Balanced XLR</a></h3>
           <img src="images/Audio/xlr_cork_port.jpg" data-toggle="tooltip" data-placement="bottom" title="http://jp.music-group.com/TCE/CR/StudioKonnekt48/images/main_out_xlr_large.jpg">
           <img src="images/Audio/xlr_bottle_port.jpg" data-toggle="tooltip" data-placement="bottom" title="http://proaudioblog.co.uk/wp-content/uploads/2014/06/XLR-Input.jpg">
         </div>
-        <p>A three-pin connector favored for long balanced cables in pro audio equipment. Tradionally, analog XLR audio connectors had an electrical impedance of 75 ohms (75 Ω). Digital audio signals using the XLR connector required a higher impedance (110 Ω), but this would have no effect on analog signals - therefore, 110 Ω XLR cables intended for digital audio can safely be used for balanced analog audio connections as well. See <a href="#aes-3">AES-3</a>.</p>
+        <p>A three-pin connector favored for long balanced cables in pro audio equipment. Traditionally, analog XLR audio connectors had an electrical impedance of 75 ohms (75 Ω). Digital audio signals using the XLR connector required a higher impedance (110 Ω), but this would have no effect on analog signals - therefore, 110 Ω XLR cables intended for digital audio can safely be used for balanced analog audio connections as well. See <a href="#aes-3">AES-3</a>.</p>
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@@ -2003,7 +2003,7 @@ <h3><a href="pinouts.html#usb-3.0">USB 3.0 Type A</a></h3>
           <img src="images/Data/USB3_typeA_bottle1.jpg" data-toggle="tooltip" data-placement="bottom" title="http://icdn8.digitaltrends.com/image/usb-3-0-ports-625x300-c.jpg">
           <img src="images/Data/USB3_typeA_bottle2.jpg" data-toggle="tooltip" data-placement="bottom" title="http://www.howtogeek.com/wp-content/uploads/2014/01/650x434xusb-2.0-vs-usb-3.0-blue-port.jpg.pagespeed.gp+jp+jw+pj+js+rj+rp+rw+ri+cp+md.ic.Hw2qDXl-UA.jpg">
         </div>
-        <p>Similar in sixe, shape, appearance to USB 2.0 Type A, though it has additional pins. Typically colored blue to differentiate from USB 2.0 Type A connections.</p>
+        <p>Similar in size, shape, appearance to USB 2.0 Type A, though it has additional pins. Typically colored blue to differentiate from USB 2.0 Type A connections.</p>
       </div>
     </div>
   </div>